[Harp-L] Why different positions?
- To: Harp-l Harp-l <harp-l@xxxxxxxxxx>
- Subject: [Harp-L] Why different positions?
- From: Larry Marks <larry.marks@xxxxxxxxxxxx>
- Date: Sun, 24 Jan 2010 18:22:45 -0800
- User-agent: Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv:1.9.1.7) Gecko/20100104 SeaMonkey/2.0.2
Like many others on the list, I can play the diatonic as chromatic using
some overbending, but mostly valved harps.
I have not spent the time as yet to become equally proficient with all
scales on a single harp, so I mostly play second position, with which I
am most comfortable and proficient. Sometimes, I will use another
position if I have to, but only if playing second would put too many
notes of the tune in the third octave.
So, here is the question: I know that some very good players on this
list who play "chromatic" diatonic also choose to play in a variety of
positions. It's certainly not because you can't play any given tune in
any position. What is attractive to you about the positions you play?
Thanks,
-LM
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